| The White People | |
|---|---|
| Author(s) | Arthur Machen |
| Country | Wales |
| Language | English |
| Genre(s) | Horror short story |
| Publisher | J & W Horlick's (serial) Grant Richards (book publication) |
| Publication date | 1904 (serial) 1906 (book) |
| Media type | Print (Serial, Hardcover) |
| ISBN | NA |
"The White People" is a fantasy-horror short story by the Welsh writer Arthur Machen. Written in the late 1890s, it was first published in Horlick's Magazine—of which Machen's friend A. E. Waite was editor—in 1904, then reprinted in Machen's collection The House of Souls in 1906.
Contents |
A discussion between two men on the nature of evil leads one of them to reveal a mysterious Green Book he possesses. It is a young girl's diary, in which she describes in ingenuous yet evocative prose her strange impressions of the countryside in which she lives, as well as conversations with her nurse, who initiates her into a secret world of folklore and ritual magic. Throughout, she makes cryptic allusions to such topics as "nymphs", "Dôls", "voolas," "white, green, and scarlet ceremonies", "Aklo letters", the "Xu" and "Chian" languages, "Mao games", and a game called "Troy Town" (the last of which is a reference to actual practices involving labyrinths or labyrinthine dances[1]). The girl's tale gradually develops a mounting atmosphere of suspense, with suggestions of witchcraft, only to break off abruptly just at the point where a supreme revelation seems imminent. In a return to the frame story, the custodian of the diary reveals that the girl had "poisoned herself—in time".
The story was written in the late 1890s as part of Machen's struggle to find a direction for a projected novel, other outgrowths of which were published as the novella A Fragment of Life (collected in The House of Souls) and as the collection of prose poems Ornaments in Jade (1924).[2] Machen had read widely in mystical literature and folklore ever since an early employer had set him to work cataloguing occult books,[3] and his learning gave his tale a depth and verisimiltude unusual in such works.
The use of the Green Book as a false document has roots in the Gothic tradition and is similar to the use of such documents by Bram Stoker in Dracula and to H. P. Lovecraft's use of the Necronomicon and Wilbur Whateley's diary in "The Dunwich Horror". Some of the strange words and names in the Green Book are actual occult terms, but most were invented by Machen for the story. Of these, some would be picked up by later authors of weird fiction—notably "Aklo", which was used by Lovecraft in connection with the "Sabaoth" invocation in "The Dunwich Horror".
The story has frequently been reprinted, and scholars and devotees of supernatural fiction often cite it as a classic of the genre. E. F. Bleiler, for example, wrote that the narrative in the Green Book "is probably the finest single supernatural story of the century, perhaps in the literature",[4] and S. T. Joshi has called the diary "a masterpiece of indirection, a Lovecraft plot told by James Joyce".[5] H. P. Lovecraft himself wrote that "Machen's narrative, a triumph of skilful selectiveness and restraint, accumulates enormous power as it flows on in a stream of innocent childish prattle".[6]
As has been intimated above, Lovecraft adopted some of Machen's techniques and terminology for use in his Cthulhu Mythos stories. The story has also served as the inspiration for T. E. D. Klein's novel The Ceremonies and may have been an influence on the plot of Guillermo del Toro's film Pan's Labyrinth.